Wednesday 9 July 2008

Kid rock

Is there anything sadder than a gormless 14-year-old in a long-sleeved Pink Floyd T-shirt? How about an entire family bedecked in the formerly radical gladrags of riot and revolution? Well, get used to it - the baby boomers are ruining rock'n'roll in a blur of baby merchandise.

The statistics are terrifying. In a few years the generation that tuned in and dropped out, stopped a war and rocked against racism are set to retire. They've already ruined popular culture for the generations that followed them by refusing to let go. The great fear was that they'd take pop to the grave with them. But no, they've done something even worse. They've bequeathed it to their grandchildren. The evil old scum.












Imagine a smiling thirtysomething couple in matching Clash "White Riot" T-shirts, a toddler in an authentic cut-down Grateful Dead 1977 European tour shirt, and a baby in a super cutesy-wutesy Never Mind the Bollocks mini-T. Is this family picture symbolic of rock's maturity? Or a sign that the art form has finally giving up all claim to being the battle cry of inter-generational warfare and instead become the castrated soundtrack of Walton-esque family values?

The front window of Born Yesterday in Rittenhouse Square in Philadelphia will either make you go "Aw!" or projectile vomit in horror, that is, if you still believe in the live fast, die young and leave a good-looking corpse (and no bloody kids) essential spirit of rock'n'roll.

One window is full of Rock a Bye Baby CDs featuring lullaby versions of songs by U2, Nirvana, AC/DC, Metallica, Radiohead, the Cure, Tool, Bob Marley, and the Ramones ("gabba gabba goo goo" says the sleeve). The adjacent window is full of symbols of 20th-century youth rebellion, minituarised to fit the well-talcumed torsos of the rug-rats of the 21st-century bourgeoisie. We are talking cute kiddy T-shirts promoting Aerosmith, the Clash, the Sex Pistols and Jimi Hendrix. T-shirts so small they could only fit humans who should surely, in a sane world, be clothed in sailor suits and/or bibs featuring Jemima Puddle-Duck.

Inside Born Yesterday you'll find baby and toddler gear that sports such punk boasts as "rebel", "Ipood" and "C is for Charlie". The woman behind the counter tells me that no, they don't sell sailor suits. And most parents love the rock stuff. It's the grandparents who object.

Which is to say that the punks and the hippies who believed that rock music was something more than just the musical doodlings of shirkers with bad haircuts, have been fooled again - just like the Who said they wouldn't. Their radical revolution rock has been spavined, defenestrated, castrated, de-fanged and declawed, buggered, killed, stuffed and mounted, and used to sell crap to morons. And is now being mashed up and fed to babies along with some warm milk and a rusk. Boy, that must hurt.

Kid rock is Generation X's revenge. "You ruined rock for us, wrinkled vermin, so we're going to ruin it for you by feeding your dangerous drug music to your grandkids in safe, easily digestible dollops."

So what's the solution before rock'n'roll's spirit keels over and dies? Simple! Europe and the US just need to admit millions of immigrants of breeding age so they can...

a) Save our pensions b) Be seduced away from religious fundamentalism with porn, casual sex, booze, drugs and scary guitar music and c) Save rock'n'roll from being something we spoonfeed to drooling baldies at both ends of the age scale.

While the average westerner looks more and more like Keith Richards's scrotum with every day that passes, in the developing world nearly everybody is a teenager. But what's the point? They've got neither the income nor the freedom to enjoy it. So for God's sake, throw open the floodgates of immigration and let's miscegenate like crazy. The alternative is a cultural return to the early-50s only with more rationing, more swearing and less BO. And legions of toddlers in Beatles T-shirts. (A paradise for Morrissey, a living hell for the rest of us.)

I have seen the future: it's a woollen-booted tiny foot bouncing up and down to the lullaby version of Rockaway Beach - for ever.


See Also

Intronaut

Intronaut   
Artist: Intronaut

   Genre(s): 
Metal
   



Discography:


Void   
 Void

   Year: 2006   
Tracks: 7


Null   
 Null

   Year:    
Tracks: 5




First conceived in 2004, Los Angeles, CA's Intronaut started out as a friendly but promiscuous side project concocted 'tween Anubis Rising vocalist/guitarist Sacha Dunable and then Uphill Battle drummer Danny Walker (besides ex-Exhumed). When their songwriting started to bear impressive fruit -- based upon the aggressive and progressive new sound made popular by Mastodon and, to a lesser academic degree, their have groups -- the duet called in colleague Exhumed guitarist/vocalist Leon del Muerte and bassist Joe Lester to facilitate them cut the Goose egg EP, released in early 2006 by Goodfellow Records. Barely sextet months later, Intronaut returned with that EP's logically named follow-up, Avoid.






Jessica Simpson has the best breasts in tinsel town

Washington (ANI): Singer Jessica Simpson has every reason to be proud of her twin assets, especially since they have just topped a poll for the 'Best Breasts'. The booby poll was conducted by In Touch magazine, and Simpson beat off many A-list female celebs to take the top spot, reports Contactmusic.
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Mantovani

Mantovani   
Artist: Mantovani

   Genre(s): 
Easy Listening
   Other
   Classical
   



Discography:


Y su Sonido   
 Y su Sonido

   Year: 2001   
Tracks: 85


The Very Best of Mantovani CD2   
 The Very Best of Mantovani CD2

   Year:    
Tracks: 19


The Very Best of Mantovani (cd1)   
 The Very Best of Mantovani (cd1)

   Year:    
Tracks: 19


Great Tunes Of Classic Music   
 Great Tunes Of Classic Music

   Year:    
Tracks: 1


70 Songs   
 70 Songs

   Year:    
Tracks: 70




Conductor, composer, fiddler, and piano player Mantovani was one of the well-nigh pop and fecund easy listening artists of all time. His hallmark "cascading strings" (or "tumbling strings") effect gave him an instantly recognizable sound, and his heavy trust on the string section in general helped map out the pattern for much of the short orchestral music that followed in his wake. His repertory did feature film original compositions, just was built principally on profuse adaptations of familiar melodies: TV and moving-picture show themes, record tunes, come out hits (primarily of the MOR miscellanea), classic material, and the like. Starting his career in the '20s, Mantovani was very much a product of the recording historic period: he focused well-nigh wholly on recording, instead of live performance; he was one of the first base artists to use the LP as a primary medium for his releases (as opposed to singles); he was one of the first base popular artists to manipulation stereophonic system recording technology, and probable the starting time to sell o'er a 1000000 records in the stereo system arrange. Fascinated by the studio recording process, he experimented restlessly with miking methods and other technical nuances over the course of an astoundingly large discography -- more than 50 albums from the early '50s until his decease in 1980 (not tally his legion 78 rpm records, geological dating back to the recent '20s). Annunzio Paolo Mantovani was born November 15, 1905, in Venice, Italy. His father was an established fiddler wHO performed at the legendary Milan opera house La Scala under the instruction of Arturo Toscanini. Mantovani himself began piano and music theory lessons at a thomas Young historic period. In 1912, the class touched to England, where Mantovani's father took over guidance of the Covent Garden Orchestra. At age 14, Mantovani switched from piano to fiddle; although the latter became his instrument of option, he would keep up his piano work for the sake of composing. Just two years later on, he made his professional debut with a performance of Anton Bruch's "Violin Concerto No. 1." He joined a touring orchestra and quickly became a featured soloist; by years 20, he was starring the occupier Hotel Metropole Orchestra, and made a few recordings with the grouping in 1928. He gave high profile recitals in 1930 and 1931, performing Saint-Saëns' "Violin Concerto in B Minor" at the latter, and began to make a constitute for himself. Around the like clip, he formed a new group, the Tipica Orchestra, and started a series of regular wireless broadcasts from London's high profile Monseigneur restaurant.Mantovani and the Tipica Orchestra made highly successful appearances all over England, and recorded for Sterno, Regal Zonophone, and Columbia from 1932-1936; two of those records, "Redness Sails in the Sunset" and "Divertimento to the Night," were hits in the U.S. in 1935 and 1936, respectively. Columbia changed the billing on his records to Mantovani & His Orchestra in 1937, and in 1940 he moved over to Decca. By World War II, he was one of the well-nigh pop orchestra leadership in England, and in the '40s he as well prongy out into theater, helping as musical director for a number of productions including several by Noel Coward. Once World War II complete, Mantovani threw his vim into recording, and step by step touched away from live performances all. He experimented with different styles over a series of popular 78s for Decca, and hit upon his signature sound when he connected with organizer Ronald Binge, who'd once played squeeze box in the Tipica Orchestra. Binge was likely the military personnel wHO devised Mantovani's dramatic "cascading strings" effect, which the deuce first employed on the 1951 single "Charmaine," a song originally written 25 years earlier. "Charmaine" was a major hit, marketing over a one thousand thousand copies and definitively snap open the U.S. grocery for Mantovani's music.A steady stream of hit singles followed in the early '50s, including "WY" (1951), "Greensleeves" (1952), the U.K. number i "Vocal From Moulin Rouge" (1953), "Swedish Rhapsody" (1953), "The Lonely Ballerina" (1954), "Toy Shop Ballet" (1956; it helped him win the U.K.'s Ivor Novello Award), and "Around the World" (1957). Additionally, Mantovani arranged, co-wrote, and backed David Whitfield on his U.K. chart-topper (and U.S. Top Ten) "Cara Mia" in 1954. Starting in 1953, he recorded what proved to be a torrent of LPs for Decca and its London subsidiary. The advent of rock & roll stunted his success on the singles charts, merely his albums sold like hotcakes in America. From 1955 to 1972, well over 40 Mantovani albums reached the U.S. pop charts; 27 of those reached the Top 40, and 11 made the Top Ten. His biggest peter Sellers included Christmastide Carols (1953; it re-entered the charts several times), Richard Strauss Waltzes (1953), Song Hits From Theatreland (1955), Photographic film Encores (1957; his lonely number one record album), Gems Forever (1958), Mantovani Stereo Showcase (1960), Italian Republic Mia (1961), and the smash Mantovani Plays Music From "Book of Exodus" and Other Great Themes (1961), a number iI strike that sold over a billion copies and stayed on the charts for nearly a class. His variant of the "Exodus" root word was merely one of several successful recordings (others were by Ferrante & Teicher and jazzman Eddie Harris).As the '60s wore on, Mantovani's make of pleasant, light orchestral music progressively diverged from mainstream tastes in pop, and his graph placings slipped get down and lower (his last ingress was 1972's Annunzio Paolo Mantovani). Still, he stayed dead on target to his own esthetic, only adopting those contemporary trends that he could translate on his possess price. His transcription activities were curtailed subsequently the Decca label was dissolved and absorbed into MCA in 1973, though he continued to compose for several geezerhood later. He passed away on March 30, 1980, in his land home in Tunbridge Wells, England.






COLDPLAY

Viva La Vida or Death to His Friends (Capitol): B+

Few bands make seismic stylistic shifts. Most merely tinker. That’s fine. Rock ’n’ roll about-faces seldom succeed (does anyone prefer Eric Clapton’s singing “Change the World” with Babyface to his Cream days?)
On Coldplay’s fourth, purportedly experimental album, the tinkering is everywhere, thanks in large part to producer Brian Eno (U2, Talking Heads). But it rarely interferes with Coldplay’s established, super-popular, non-threatening style. The Chris Martin-led Brit quartet may use different tools to find those patented vast, somber crescendos, while still hitting upon them in nearly every song.
The band’s least-uniform release, “Viva la Vida” is already being labeled Coldplay’s most Radiohead-lite effort yet, which is neither fair nor true. From a marketing standpoint, Coldplay’s scheme modifies Thom Yorke and company’s pay-what-you-want “In Rainbows” scheme. Coldplay began by giving away first single “Violet Hill.” Now the band is streaming the album for free on iheartmusic.com in advance of a huge payday when it arrives in stores on Tuesday: “Viva la Vida” has already set a record for pre-order sales on iTunes.



Artistically, the Radiohead homages are infrequent and well-placed. But by and large the band pilfers more from unexpected sources than obvious ones. The violins in “Yes” pinch first from the Beatles’ “Fool on the Hill,” then from Eastern European melodies. The piano in “Lovers in Japan/Reign of Love” hints at “Lady Madonna” before taking a neo-classical, Chopin-does-Britpop route.
It’s all very cool and different and, yes, experimental. But if you’re a Coldplay hater, nothing here will turn you around: Martin’s watermarked voice recalls “Yellow” with every whine. Devotees, on the other hand, will expand their sonic pallets; “Viva la Vida” is your gateway drug to “The Bends.” But if you need reassurance that you haven’t lost the Coldplay you’ve loved since “Parachutes,” download the song “Viva La Vida.”


U.N.K.L.E.

U.N.K.L.E.   
Artist: U.N.K.L.E.

   Genre(s): 
Rock
   Trip-Hop
   Rock: Electronic
   



Discography:


War Stories   
 War Stories

   Year: 2007   
Tracks: 14


Nights Temper EP (A Prelude To War Stories)   
 Nights Temper EP (A Prelude To War Stories)

   Year: 2007   
Tracks: 4


Never Never Land   
 Never Never Land

   Year: 2003   
Tracks: 11


In A State (Inc Meat Katie And Elite Force Remix) VLS   
 In A State (Inc Meat Katie And Elite Force Remix) VLS

   Year: 2003   
Tracks: 2


Do Androids Dream Of Electric Beats?   
 Do Androids Dream Of Electric Beats?

   Year: 2001   
Tracks: 1


Be There   
 Be There

   Year: 1999   
Tracks: 6


Rabbit In Your Headlights (Single)   
 Rabbit In Your Headlights (Single)

   Year: 1998   
Tracks: 2


Psyence Fiction   
 Psyence Fiction

   Year: 1998   
Tracks: 14


berry meditation (EP)   
 berry meditation (EP)

   Year: 1997   
Tracks: 3




 





Blu-ray Making Faster Inroads Than Dvd

Gary Stroutsos

Gary Stroutsos   
Artist: Gary Stroutsos

   Genre(s): 
Easy Listening
   



Discography:


ORU The Natural Order   
 ORU The Natural Order

   Year: 1998   
Tracks: 8




A musician with a multifariousness of musical influences, from Afro-Cuban to idle words, Gary Stroutsos is to the highest degree at base playing cedar tree flutes in the Native American tradition. Dedicated to Native American culture and environmentalism, his music has been featured in several Native American showcases and he performed for the televised Earth Day jubilation in British Columbia, Caretakers of the Earth. In 2000, he teamed up with Jonn Serrie to handout the raw historic period unification album Hidden World. A solo effort, entitled Pacific Moon, followed in early 2001. A year by and by he delivered two albums: Echoes of Canyon de Chelly, a collaboration with Paul Thompson, and also Oru: The Natural Order, a collaboration with vocalists Lazaro Galarraga and Elaine Hernandez.






Deca Sports









Deca Sports
Publisher: Hudson
Platforms: Wii
Rated: E � Everyone
Game type: Sports
Rating: *** 1/2 (out of five)

What�s the premise?
Take part in 10 different sporting events, including beach volleyball, archery, go-kart racing, soccer, basketball, supercross, snowboarding, figure skating, badminton and� curling? Awesome.

This game is most similar to�?

Wii sports.

Is it suitable for younger gamers?

My five- and three-year-old sons and I tried out all the sports and had a darned fine bonding time of it, too. I even got them yelling �hurry� and �hard� during the curling. Kids are fun.

One player or more?

Deca Sports is a total party game.

What�s missing?
Some of the way the sports are played could have been a bit more intuitive and the graphics won�t blow your socks off, but overall it�s pretty solid.

The (not-so) secret to success is�?

Get your butt of the couch and you�ll probably play better. It�s a pretty good Wii party game rule to follow.

And in the end?
It�s 10 fun sports games in one and it includes curling? What else do you need to know?











See Also